120+ five-star reviews. Custom marching band shows—delivered on time, stress-free, and written for student success.
The Sound of Trust
Every fall, directors everywhere face one big question: What show are we going to do this year? It’s exciting—and a little terrifying. The right show can energize your students and define your season. The wrong one can make you dread every rehearsal.
I’ve been in your shoes. Before I started VanDoren Music, I was a high school band director. I remember the late nights searching for the perfect chart, wondering whether the music would arrive on time, and hoping it would sound as good on the field as it did in my head.
Today, more than 120 directors nationwide have given VanDoren Music a five-star review. That tells me something simple: directors want reliability, collaboration, and confidence—not just notes on a page.
Reliability Isn’t Optional — It’s the Foundation
Band directors live by the calendar. There’s no “push this deadline” when contest season is staring you in the face. That’s why reliability isn’t a selling point for me—it’s a promise. My clients get their music on time or early. I’d rather stay up late than make you wait.
“Evan delivers early, communicates clearly, and makes our job ten times easier.”
“Having Evan on board gives me peace of mind that our show will always sound its best.”
When you stop worrying about deadlines, you can focus on what matters most: your students and your sound.
Music That Makes Bands Sound Bigger and Better
The best compliment I can get is: “Our band sounded bigger than ever this year.” That’s not magic—it’s design. I write to your strengths so your students sound confident and mature, no matter your size or experience level.
“His orchestrations are brilliantly thoughtful and allow the ensemble to achieve maximum clarity and sonority.”
“The music sounds more difficult than it actually is.”
Great writing stretches an ensemble just enough to grow without crushing confidence. The goal is simple: give students room to win.
Collaboration That Feels Effortless
From our first conversation, I ask detailed questions: instrumentation, story, goals, and the moments you want to create. Then I stay involved—through edits, adjustments, and check-ins as the season unfolds.
“He answers every email like we’re his only client.”
“He checks in during the season and makes edits on the fly.”
“Working with VanDoren Music is stress-free.”
I don’t want our work to feel transactional. I want it to feel like we’re co-creating something your students will remember for the rest of their lives.
Student Success Comes First
Every chart starts with one question: How will this feel for the kids? If they’re not lit up by the music, nothing else matters. Directors tell me my shows reignite motivation and make rehearsals fun again. That’s the best feedback I can get.
“The music was engaging from the first read-through to the final performance. Students were proud to play it.”
When students love what they’re playing, they rehearse better, perform stronger, and grow faster.
Building Programs Through Partnership
One thing that makes me proud is how many directors come back year after year. Those long-term partnerships are where the real magic happens.
“We’ve been using Evan for three years—total game changer.”
“He’s arranged for us since 2017. We’ll be using him for years to come.”
When I work with a program over multiple seasons, I start to really understand the DNA of that ensemble—their instrumentation, their personalities, their sound. That’s when I can push creative boundaries while still writing something that fits like a glove.
From Small Schools to National Finalists
It doesn’t matter if your band is 35 winds or 200. Every program deserves music that helps them shine.
“Our 3A band sounded like a 6A finalist. The kids couldn’t believe it.”
That’s the joy of arranging—to help ensembles sound bigger than they are.
At the same time, I’ve had the privilege to write for nationally recognized programs like Santa Clara Vanguard, Cedar Park HS, and Rouse HS. These experiences keep me connected to the cutting edge of design while never losing sight of what matters most: clear writing, student growth, and emotional storytelling.
The Philosophy Behind My Writing
When I sit down to write a new show, I think like a teacher first and a composer second. I want every player to have a meaningful musical role. I want every impact moment to earn its volume. I want every melody to make students feel proud.
To me, great design isn’t about complexity—it’s about clarity and connection.
“Evan’s writing gives every student a chance to shine while serving the story.”
“His music tells a story the audience can feel.”
120 Voices, One Message
When I look through all 120 reviews, the themes repeat again and again:
- Communication
- Reliability
- Collaboration
- Student engagement
- Peace of mind
That’s not coincidence—that’s the culture I’ve worked to build. I’m grateful for every director who’s trusted me to bring their vision to life. I know what it means to hand someone your fall season and say, “Here, write the soundtrack for our students’ memories.” That’s not a job—it’s a responsibility.
Let’s Build Your Next Show
If you’re planning next season, or just exploring new ideas, I’d love to talk. Whether you’re looking for a proven show from the catalog or something brand new, I’ll help you find the perfect fit.
You can browse my full catalog of marching band shows or build your own custom production.
Your music will arrive on time, sound incredible, and make your season easier.
Frequently Asked Questions
How are your shows different from other pre-written marching band shows?
Every show in my catalog started as a custom commission—meaning it was originally written for a real ensemble and refined through real performances. Each one can be adapted to your instrumentation, skill level, and story.
Can you tailor a show to fit my smaller band?
Absolutely. Many of my happiest clients are smaller programs. I re-orchestrate each show to make sure your students sound full, balanced, and confident—without over-writing or watering things down.
What if I need the music quickly?
I understand deadlines. That’s why every agreement includes a clear delivery schedule—and I’m proud to say I’ve never missed one. Most directors receive their full score and parts ahead of schedule.
Do you offer edits or in-season support?
Yes. I stay involved throughout your season. If you need an edit, balance adjustment, or voicing tweak, I handle it personally. My job isn’t finished when the PDFs arrive—it’s when you perform with confidence.
Can I mix and match movements from different shows?
Of course. Directors often combine movements to create something unique. I’ll make sure transitions, keys, and pacing work seamlessly.
How do I get started?
Visit evanvandoren.com/marchingbandshows to browse, listen, and request perusal scores. Once you’ve found something that excites you, we’ll talk details, timeline, and customizations to make it yours.
How much do your marching band shows cost?
Pricing varies depending on whether you’re licensing an existing show or commissioning a new one. But every project includes my personal involvement, full customization, and ongoing support.
Can you help my team choose the right show?
Yes. I’ve helped hundreds of directors find a show that fits their vision, students, and schedule. If you’re unsure, I’ll guide you toward something that aligns with your ensemble’s strengths and goals.
Band directors choose VanDoren Music because they want more than charts—they want clarity, dependability, and heart.
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