Show Titled: “Listen”
Commissioned by Cedar Park HS | Cedar Park, TX
Wind Arrangements by Evan VanDoren
Percussion & Sound Design by Andrew Markworth
Program Coordination by Jeremy Spicer
“The only way out is through…” Robert Frost’s timeless words set the stage for “Listen”, a powerful journey from innocence to self-awareness. Featuring the gripping symphonic intensity of Dmitri Shostakovich and the iconic melodies of Stephen Sondheim’s Into the Woods, this production weaves bold, dark orchestral colors with familiar storytelling charm. As students venture into the metaphorical forest, they confront desires, challenges, and revelations—emerging transformed in a finale that is as unforgettable as it is profound.
Selections include:
“Prelude No. 14 in Eb minor”, from 24 Preludes, by Dimitri Shostakovich
“Allegro”, from Symphony No. 10 in E minor, by Dimitri Shostakovich
“Giant Attack”, from Into the Woods, by Stephen Sondheim
“Children Will Listen”, from Into the Woods, by Stephen Sondheim
“Chamber Symphony in C minor”, by Dimitri Shostakovich
“Finale”, from Symphony No. 7 in C Major (Leningrad), by Dimitri Shostakovich
What makes my marching band shows different?
Drawing from my experience as a band director, my educational background, and active involvement in the marching arts...
Music is composed to align seamlessly with the band's skill level. To put it simply, if I wouldn't want to teach it, I won't write it! The scores and parts come to you already "pre-cleaned", so your students can sound great from the very first read!
Music is written with fundamental concepts in mind and instrument-specific challenges considered. The “little” details make the “big difference”. Things like choosing keys that put students in good ranges, and on more “in-tune” notes. Things like avoiding the throat tones on clarinets. Things like writing woodwind (and brass) technique that, while might sound challenging, are written to use very playable fingerings. Things like considering the lengths of phrases played, and how often students need to breathe!
Music is always delivered on time. No exceptions. The last thing you need is the stress of waiting on your show. You're already spinning enough plates as it is!
Music will be in your hands with plenty of time for the rest of your design team to do their thing. Once you have the core of your musical product, you can share it with the rest of your design team at an early stage. As the marching arts increasingly prioritize the visual coordination of your show, it is now more important than ever to ensure your visual designers are set up for success!
When you choose to commission an arrangement from me, I’ll be here to make it right for you – no matter what. From the moment your idea is born until the final performance, I'll be by your side to adjust, tweak, help, suggest, and edit your musical program. Together, we'll strive for maximum achievement and effectiveness.
Frequently Asked Questions
Can these marching band shows be customized for my instrumentation?
Yes — I customize every show to fit your ensemble’s exact strengths and needs. I know every high school band looks different: some have powerhouse brass sections, while others shine in woodwinds or percussion. If your ensemble is missing certain instruments or has an unusual balance, I’ll re-score parts so your students sound confident and full. I can adjust difficulty levels, redistribute voices, and ensure that no section feels left out. My goal is for your band to take the field with a marching band show that feels like it was written specifically for them — because in many ways, it will be.
Are these shows suitable for competitive marching band contests?
Absolutely. Every show I write is designed with contest performance in mind. I’ve worked with programs that compete at local festivals, UIL events, and Bands of America regionals, and I understand how adjudicators evaluate both music and effect. Each of my marching band shows includes moments of clarity, contrast, and pacing that judges look for, while also staying accessible to your students. Whether your band is aiming for captions, division placements, or just to take a big step forward competitively, I’ll ensure the music supports your goals. At the same time, I never lose sight of student experience — because great contest results come from students who love what they’re performing.
How do I request a show for my band?
It’s easy to get started. Simply fill out the form on this page and let me know which marching band shows caught your eye, or what kind of musical direction you’d like to explore. Once I receive your message, I’ll personally reach out to learn more about your program — your instrumentation, your student strengths, and your goals for the season. From there, I’ll recommend the best options and explain how I can customize the music for you. If you’d like, we can schedule a short call so you can ask questions directly. My process is designed to be simple, collaborative, and efficient, so you can focus on leading your students while I take care of the music.
How much do your marching band shows cost?
Pricing depends on the level of customization and the scope of the project. By selecting from my library of previously commissioned marching band shows, you’ll save significantly compared to commissioning a brand-new production. Directors often appreciate that they get the “best of both worlds”: proven, high-quality music at a more accessible price point, plus the benefit of my personal tailoring to make sure it fits their band. Once I know more about your program’s needs, I’ll provide clear pricing so you can make the best decision for your budget.
How long does it take to receive the music once I’ve chosen a show?
Delivery timelines vary depending on the level of edits and customization required. For many directors, one of the biggest benefits of choosing from my existing marching band shows is the speed — you can get access to a fully scored show much faster than starting a new commission. If we’re making adjustments for instrumentation or difficulty level, I’ll work with you to set a realistic timeline. In most cases, you’ll have what you need well before summer rehearsals begin, so your students can start learning with confidence.
How do these shows keep students engaged throughout the season?
Student engagement is always at the heart of what I do. I remember what it’s like to be a director trying to keep rehearsals energized week after week. That’s why every one of my marching band shows includes music that students enjoy playing and audiences enjoy hearing. From catchy motifs to dramatic build-ups and memorable finales, the writing is designed to keep energy high across the season. When students connect emotionally with their show, they rehearse harder, perform better, and carry those positive memories with them long after the season ends.
Can I combine music from different shows to create something unique?
Yes — directors often choose to mix and match from different marching band shows in my library. I can blend selections seamlessly, rework transitions, and make sure the final product feels cohesive. This approach is especially helpful for bands that want something fresh while still taking advantage of proven music. Think of it as a hybrid option: you get music you know will work on the field, but shaped into a show that’s uniquely yours.
I specialize in creating customizable marching band shows that bring together artistry, student engagement, and competitive success. Over the years, I’ve built a library of previously commissioned field shows and music arrangements that give directors proven options to save time, stay on budget, and keep their students excited. Whether you’re preparing for a regional contest, a Bands of America event, or your Friday night halftime performance, I can tailor these marching band productions to fit your ensemble’s exact needs. My goal is to provide music that combines depth with visual potential, giving your students a rewarding and unforgettable experience on the field.
Evan VanDoren is an in-demand music composer regularly commissioned to create engaging & award-winning music for marching bands and concert ensembles at all skill levels. Evan’s music is regularly performed around the country, including premiere performances at the Texas Music Educators Association Convention and the Midwest Band and Orchestra Clinic. In 2025, Evan was recognized as a National Finalist for The American Prize in Composition for his works, Luminosities & Prophetic Dances.
Evan serves as the brass composer & arranger for the Santa Clara Vanguard Drum and Bugle Corps, based in Santa Clara, California. Additionally, Evan is an active clinician and has presented for Drum Corps International, the Music Educators National Convention, the Texas Bandmasters Association, the Texas Music Educators Association, and Music for All. He regularly consults with music programs nationwide.
Before devoting his life to creating music, Evan was a band director at Cedar Park High School in Cedar Park, Texas. During that time, the band was awarded multiple marching state championships and national recognition. He received a Bachelor's in Music Education with Honors from Butler University in Indianapolis, Indiana. Currently, he lives in Cedar Park, Texas, with his wife, Katie, daughters Anna & Sara, and their dog, Cooper.
Ready to get started?
Let’s create a show your students will love — and your audience will remember.
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